The hardest thing, maybe, is having lost your direction. All the things you wanted don't want you anymore.
The road dead-ends in a tangle of thorns.
A saucerful of secrets
The hardest thing, maybe, is having lost your direction. All the things you wanted don't want you anymore.
The road dead-ends in a tangle of thorns.
What is this absence that screams so loud without a sound? I keep asking but there is never an answer.
Muddy sun sets in grey sky. Cell towers blink on the horizon. At dusk, the belt of Venus appears in the east, but close, so close that it feels that the edge of the earth is near.
The pain in my bones signals my own existence.
I step into the field to pose for a picture, but already I am disappearing from the landscape. It doesn't know me and won't miss me. My greatest value now is in being gone.
Inside, invisible to see, I recall that it was only a year ago that I watched the conjunction of Venus and Jupiter from the end of my street. Every night the planets drew closer and closer. It seemed to mean something then, it must have meant something; even if I can't remember the way it felt now. I watched and waited and was happy then, until the planets moved apart, the way they always do.
On nights like these, I go outside and look at the sky, hoping for insight to descend. It is out there, waiting, but I can't reach it - there is something in the way.
Sometimes, twilight clouds hang heavy over the house. The cat hides under my bed at the sound of thunder. Sometimes, the wind from the lake batters my west window like a ghost demanding entrance. Erie/eerie.
One night in the dead of winter, my housemate and I were lying on my bedroom floor, drawing. Far above in the icy sky, we heard the sound of a plane. "I'd hate to be up there on a night like this" he said, and for a moment our imaginations drifted along with the pilot, mapping the edge of the atmosphere.
Last Thursday I went to a lecture at the planetarium. I felt dizzy as the projected sky spun around and around. The astronomer pointed out what the astrologers call fixed stars. I remembered watching the sky night after night from my altar rock, and later, when the world was very different, standing by the gate and gazing between Aldebaran and Pleiades.
My own past words come back to me, here in her future. "The word on the astral is things will never be the same. You may not notice, though. They've always already been forever changed."
Sometimes when I walk down the road in the evening, the world goes fuzzy at the edges. Like a carefully controlled hallucination just beginning to break apart.
How is it that I am here in this place? In those moments, it feels like the real me is somewhere else.
9 crows roost in the sycamore tree. I don't know what it means, only that it makes me shiver.
My tarot cards show nothing but swords and empty cups.
It's a little more than a month since the day of the blue paint and crescent moon, though the sense of layered time remains. Even if the air feels on fire, the sunlit grass and the shadows are the same.
Out front though, the yard is empty. Around back, everything is still. In this space is absence, as solid as the heat. There is no longer any sign of laughter or murmured conversation. Cicada drone is the only sound.
I sit down on the same rock as I'd done before, feeling as curiously old/young as I had in May. The emptiness of the place runs though me now, draining into the hollow ground. It's that sensation you get when the party is over, the guests have left, the visitors have had to go. I know this absence is the price I pay for moving on. My mother has said she never wants to see me again, and the current me, the chronological one, is resigned to this, knowing there was nothing else to be expected, though I worry a bit about child me, who was always so desperate to please. Child me is surprisingly stoic, however. It turns out, like the limestone and the prickly pear and the twisted chapote persimmon, she already knew the score.
The sun is searing, blisteringly hot. It's the hottest June on record, they say. I get up, seek some cover among the trees. I pluck flowers from the whitebrush and desert willow to save, because they don't have them where I'm going. I occurs to me that I am trying to fold Texas away, put it in a box like a keepsake, knowing that in a years' time it might mean something more to me, but it just as likely won't mean a thing.
Over top the clothesline again I see the daylight moon. It has grown from the thin crescent of 25th May, dwindled and grown again into a fat waxing gibbous. In recent days the boys have been increasingly restless, the grown-up ones wanting to get on with the rest of their lives, the younger one impatient to be somewhere else. After years of stasis, things had suddenly begun to move. Action brings good fortune, so the I Ching and Pink Floyd say, and perhaps this is true; in fact, I'd say it almost certainly is, as inaction has done us the exact opposite. But for every action taken there is a world left behind, and this, I think, is what I am looking at now.
Absence of presence as presentiment. The empty space where we used to be.
It's a melancholy feeling, to be sure.
䷗
But let us allow hexagram 24 to have its say. It is advantageous to have a direction to go.
I make my way to the sunlit grass at the very back of the yard and pause for a moment. There is nothing unusual to see here, it's the same as it's always been, but then the feeling comes over me, the layering of time. It's a most remarkable effect. I take a seat on one of the ancient rocks that jut out of the ground, and notice. If I wasn't chatting with my own child and managed to overlook my aches and pains, I could easily convince myself that it was 40 years ago. Something about the air, the scent of the grass, the quality of light lifts the years away, leaving me free of the weight of age and knowledge. And yet, I know it is there. In that space between is something else, and I ponder it, despite not having the words.
My son, satisfactorily dizzy now, is singing a heartfelt song to the cat, because it's just that sort of day. We've all of us got a touch of spring fever, I guess. I turn my attention to the aged wooden posts holding up the clothesline - they might not be quite as old as the rock I'm sitting on, but getting up there. I notice one of them has a smear of blue paint on it, a smudged handprint maybe, even though there is nothing else here painted that shade. A story that I'd likely never know. The smudge resembled a map of an unknown place, and did not quite match the sky, even though they were both very, very blue. I sat there and let the feelings run through me, the weight of time and also the non-weight of it.
I think, life without you is gonna be bluer than blue, and I feel the sorrow that is the silent partner of time, the counterweight of earthly happiness. I never really imagined leaving Texas, but the feeling in the pit of my stomach tells me it's already past time to go. I tell the limestone and the prickly pear and the twisted chapote persimmon that I'm sorry, but the landscape only shrugs a little. It already knows the score.
My youngest, done with his song now, skips back to the house. The older boys put up their polishing gear and murmur to each other as they walk away. The sun sinks just a bit lower. The wind begins to sigh. This moment - this one - in the sunlit grass will never come again. This moment is gone forever.
If anyone else notices its passing, they give no indication. Like the tale of the blue map smudge on the clothesline post, only these traces remain.
"As if something out there seemed to take notice" |
It's a dismal anniversary, damp and melancholy, not unlike the day it commemorates. It was the 8th of May, 11 years ago now, when a low rumble of thunder got my attention. The heavy sky outside my window brought on a vague panic; I'd forgotten how dark the hill country could be when it rained.
I shuddered, a bone-deep sort of spasm. I wanted to wail out loud, because how could I hide from the weather? But there was nothing for it. Instead of wailing, I got in the car and drove to the elementary school where I registered one of my children for classes; the next day at the junior high I would register another. The littlest one, I could still carry on my hip, just barely. I remember pulling into the parking lot and having to sit for a moment to catch my breath, because it had been so long since I'd done anything without my husband that I wondered if I'd forgotten how. I remember seeing the gold-green live oak catkins scattered on the damp asphalt like runes. I was not versed in reading them, but I already knew they said, "you don't want to be here."
The next day, it was still pouring as I sat at the glassed-in office at the junior high on the hill, filling out paperwork while the pledge of allegiance echoed down the hall. It felt so strange, looking out on the silvery world on the other side of the glass. Vertiginous, like I might fall. Last month, last week, even, we'd been living our old lives somewhere else, and now we were here.
My black ballet flats were soaked through from the run-off, so after I'd left my teen to his classes, I'd gathered my toddler and gone to Walgreen's for a cheap pair of sandals and a bottle of Excedrin Migraine. I remember our reflections in the doorway glass, the sky behind us, the rainwater rushing down the gutters even as the clouds were beginning to break. I remember how I sought comfort in the drugstore's sameness, how it reminded me of Victoria, soothing my homesickness for moment, even though I knew I was fooling myself. I even remember feeling a little weird about buying the sandals, too, as if by purchasing new shoes, it would mean I was somehow betraying my old self, that it would be the beginning of the end of who I was before I came. But when the sandals were worn out by the end of the summer, I found I hesitated just as much when it came time to throw them away.
I went to back to Victoria for a visit a couple of months ago. I hadn't been there in a long time. It was equal parts more decrepit and yet also somehow revitalized. My family never had much interest in returning, so it was my friend who drove me south. He wanted to see the place I'd written about, the inspiration for the name at the top of this page. He wanted to know the "infernal geometry of the streets", the unnaturally silent corners, the haunting sense of being in a place that felt like no place much at all.
We sat on a bench downtown and drew sketches in our notebooks and listened to the clicking of the crosswalk lights. We watched the eerie shimmer in the intersection of N. Main and Santa Rosa while the palm fronds rattled in the silence.
We explored the places on the map I'd once made, climbed to the top of an abandoned parking garage where we found mysterious signs and wonders. We rested, hot and tired, as we watched cloud shapes drifting by.