The Cold Grue

I'd first read the term cold grue in the story Thrawn Janet by Robert Louis Stevenson. It was an arcane term to me, but I knew what it meant the moment I read it. I'd known that feeling since I was a child. It usually arrived in November, when it arrived at all, and lay mostly under the surface of winter, waiting to loom up at certain vulnerable moments - something that seemed almost sentient, a grey existential chill that was not merely cold, but deathly.

The appearance of the cold grue was something I'd come to dread. A rising uneasiness, the sense of something minatory, searching along the ground with the wind. I'd felt it a few notable times in my childhood - the visit to Liberty Hill, a playful seance gone awry that my cousins and I held on Thanksgiving, 1980, and the time surrounding the violent death of my aunt not too long afterward. Every holiday season since has been an exercise in keeping it at bay. 

Having spent my much of my life in Texas, it was something I'd associated with my home state, something that lived in the winter landscape there, so I did not expect to find it the first time I visited northwest Ohio in 2022. But on the second-to-last day of my trip, there it was, drifting toward me in waves as I stood on the steps at the art museum, as ominous and melancholy and as pure in form as I'd ever felt it. 

 

I'd never expected my path in life to lead me to the Midwest, and certainly not to such an unadulterated version of the feeling I'd been hiding from. Perhaps it was just my mood that day, I'd thought. Maybe it was just that I was standing in a sculpture garden. As I'd written in one of those links above, the surreal nature of modern art always did leave me a bit uneasy. Or perhaps it was just a temporary, momentary effect of the weather. 

When I did move here in 2023, it was summer, and there were only the aquarium blue sky and cornfields and the sound of daylight crickets in evidence. The cold grue was far from my mind. I would walk through the swamp preserve in the afternoon, or the marshy edgelands next to the mall, studying wildflowers and cottonwood trees. We visited Lake Erie. Then autumn arrived. 

The grue did not come right away. Gradually, though quicker than I would have imagined, the landscape changed its character. There is no real autumn where I'm from, so to watch it take on color and atmosphere was fascinating. Did you know that leaves will simply fall off of trees, without being blown down by wind after drying up from drought? I didn't, so just to watch them was like standing in fairyland. I was very lonely at the time, but it was beautiful even so. I spent so many evenings out there, learning about my newly adopted home, trying to take my mind off the rest of my life, which had quickly commenced unravelling. I learned about being cold, putting on more and more sweaters every time I went out. The skies became greyer and heavier, the chill wind fluttering the remaining cottonwood leaves. 

Near the center of the swamp preserve is a forest of skinny black ash trees. In summer, they were green, humming with insects, but no sooner had November come the skinny forest had transformed into a leafless, slightly hallucinatory labyrinth. The effect being a bit like a hall of mirrors, if only to reflect the inner self. I always felt uneasy when passing by, but as the fall closed in and the temperature fell, I found myself drawn to the place. There was something familiar down among the ashes, something ominous and melancholy and cold. I was so lonely, so heavy-hearted. The reason I'd moved here had fallen apart. I was unwelcome and unwanted, my future in serious doubt. The cold grue beckoned with frigid fingers down this forlorn path. It came over me with such intensity that day that I realized I was in the center of it, as if it had all come down to this singular point in time. I sat down and spoke to it. 

"What are you?' I said.

"The process of dying" it replied.

"Why are you here?"

"It's the earth's dying season"

"Why have I felt you in so many circumstances, then?"

"Because all deaths are the same to the dead." 

My phone rang. I gathered my things and stood up to walk home, wondering if was still existing in my world at all. 

I've moved on since that day, slowly piecing my life back together, trying to find any remnants of my lost inner light. The cold grue remains, in the autumn wind, in the snow, in the garden that has gone to seed. I'm not so troubled by it anymore, even if I am still haunted. I live in a place with all four seasons now, and have a lot still to learn about spring. 

Whirlwind in Retrograde

"Don't go far off" he used to say, but in the end, he only wanted me to go.  

Some days, I walk out onto my doorstep and it's like a dream I had once, long ago. Chalky blue-white midwestern light and curiously elongated shadows. There is some solace in the way the wind and the trees aren't bothered about me; I just am, if I'm anything at all. 

There is a house on the next block with a row of temple bells out front. They chime with a most delicate sound. 

Once upon a time - that is to say, three or four years ago - I used to gaze out toward a point on the horizon, northeast beyond the cliffs, gaze at it until I could imagine seeing the traces of my attention there, a phantom signal against the sky. 

What was I signaling? Something desperately important, it seemed. A longed-for future. A magical elsewhere. A certain place where I was not. At night I gazed at the stars and dreamed. Twice I watched the earth's shadow cross the face of the moon and felt my destiny coming into being. My goddess is a goddess of eclipses, after all. 

Now I look out my southwestern window and understand so clearly that what I was signaling was my own self, looking back from where I came.

I think a lot about that place between what was then the future and the past. There was so much I did not see. Ohio like apple-raspberry candies from the dime store. Gingerbread, cloves and chamomile. Soft Sounds of the 70's. Cold grue and aquarium sky. From my limestone perch in Texas, I did not see this, nor hear it, nor feel it. What I sensed, on the other side of my prickly pear reality, was something golden and glimmering, reaching into the beyond. The glow of manifestation, maybe. I wonder now how much of it belonged to me. 

...

One night not long ago, I was at the library, a building that looks like it was designed by Escher on a bender. We sat in the atrium and listened to astronomers talk. Through the pointed panes of glass, a slow twilight was descending. My attention drifted upward until I could see the first stars. 

Far away, I sensed a faint blip on my inner radar, that signal trace of who I used to be. I signal back, a pinprick of light with the density of heartache. I tell her that I am here, looking at the sky 1353 miles away, and if you hurt, it's because the future hurts. But you did make it out, even if it wasn't like you imagined. You managed to do what you were supposed to do. You did make it there, eventually, and for a little while your wish was true. 

I already knew she heard me, because I'd heard it all those years ago. 

...

Now the solar eclipse is coming, and there is nothing to do but wait. We traveled here by the path of totality last summer, without knowing. The direction of the signal in the sky. It seems somehow significant now. 

For the moment I bide my time here in the track of the moon's shadow, among the flat fields and whirling leaves, searching the horizon for a signal from my next future. Perhaps, in the afternoon darkness - if I'm lucky - it will shine. 

You're Not Existing In Your World At All

It was the 26th of July, and we were at the storage unit by the side of the highway, loading my belongings into a truck. By then, it was near dusk.

He said, "well, if you choose not to go, imagine what you will be doing at this time tomorrow. If you do go, imagine you're not existing in your world at all." 

...

It's late October, and I'm somewhere else, more alone than I've ever been. If there is a sun anywhere in the overcast sky, I can't see it. Twilight birds flit through leafless branches. I wonder now if there is any world out there where I might be allowed to exist.

Blue Redux/Chapter 24

Tuesday, the 27th of June. Again, the brightness of the sky draws me outside. The heat this time is stunning.

It's a little more than a month since the day of the blue paint and crescent moon, though the sense of layered time remains. Even if the air feels on fire, the sunlit grass and the shadows are the same. 

Out front though, the yard is empty. Around back, everything is still. In this space is absence, as solid as the heat. There is no longer any sign of laughter or murmured conversation. Cicada drone is the only sound. 

I sit down on the same rock as I'd done before, feeling as curiously old/young as I had in May. The emptiness of the place runs though me now, draining into the hollow ground. It's that sensation you get when the party is over, the guests have left, the visitors have had to go. I know this absence is the price I pay for moving on. My mother has said she never wants to see me again, and the current me, the chronological one, is resigned to this, knowing there was nothing else to be expected, though I worry a bit about child me, who was always so desperate to please. Child me is surprisingly stoic, however. It turns out, like the limestone and the prickly pear and the twisted chapote persimmon, she already knew the score. 

The sun is searing, blisteringly hot. It's the hottest June on record, they say. I get up, seek some cover among the trees. I pluck flowers from the whitebrush and desert willow to save, because they don't have them where I'm going. I occurs to me that I am trying to fold Texas away, put it in a box like a keepsake, knowing that in a years' time it might mean something more to me, but it just as likely won't mean a thing. 

Over top the clothesline again I see the daylight moon. It has grown from the thin crescent of 25th May, dwindled and grown again into a fat waxing gibbous. In recent days the boys have been increasingly restless, the grown-up ones wanting to get on with the rest of their lives, the younger one impatient to be somewhere else. After years of stasis, things had suddenly begun to move. Action brings good fortune, so the I Ching and Pink Floyd say, and perhaps this is true; in fact, I'd say it almost certainly is, as inaction has done us the exact opposite. But for every action taken there is a world left behind, and this, I think, is what I am looking at now. 

Absence of presence as presentiment. The empty space where we used to be.

It's a melancholy feeling, to be sure. 

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But let us allow hexagram 24 to have its say. It is advantageous to have a direction to go.