
I'd first read the term cold grue in the story Thrawn Janet by Robert Louis Stevenson. It was an arcane term to me, but I knew what it meant the moment I read it. I'd known that feeling since I was a child. It usually arrived in November, when it arrived at all, and lay mostly under the surface of winter, waiting to loom up at certain vulnerable moments - something that seemed almost sentient, a grey existential chill that was not merely cold, but deathly.
The appearance of the cold grue was something I'd come to dread. A rising uneasiness, the sense of something minatory, searching along the ground with the wind. I'd felt it a few notable times in my childhood - the visit to Liberty Hill, a playful seance gone awry that my cousins and I held on Thanksgiving, 1980, and the time surrounding the violent death of my aunt not too long afterward. Every holiday season since has been an exercise in keeping it at bay.
Having spent my much of my life in Texas, it was something I'd associated with my home state, something that lived in the winter landscape there, so I did not expect to find it the first time I visited northwest Ohio in 2022. But on the second-to-last day of my trip, there it was, drifting toward me in waves as I stood on the steps at the art museum, as ominous and melancholy and as pure in form as I'd ever felt it.
I'd never expected my path in life to lead me to the Midwest, and certainly not to such an unadulterated version of the feeling I'd been hiding from. Perhaps it was just my mood that day, I'd thought. Maybe it was just that I was standing in a sculpture garden. As I'd written in one of those links above, the surreal nature of modern art always did leave me a bit uneasy. Or perhaps it was just a temporary, momentary effect of the weather.
When I did move here in 2023, it was summer, and there were only the aquarium blue sky and cornfields and the sound of daylight crickets in evidence. The cold grue was far from my mind. I would walk through the swamp preserve in the afternoon, or the marshy edgelands next to the mall, studying wildflowers and cottonwood trees. We visited Lake Erie. Then autumn arrived.
The grue did not come right away. Gradually, though quicker than I would have imagined, the landscape changed its character. There is no real autumn where I'm from, so to watch it take on color and atmosphere was fascinating. Did you know that leaves will simply fall off of trees, without being blown down by wind after drying up from drought? I didn't, so just to watch them was like standing in fairyland. I was very lonely at the time, but it was beautiful even so. I spent so many evenings out there, learning about my newly adopted home, trying to take my mind off the rest of my life, which had quickly commenced unravelling. I learned about being cold, putting on more and more sweaters every time I went out. The skies became greyer and heavier, the chill wind fluttering the remaining cottonwood leaves.
Near the center of the swamp preserve is a forest of skinny black ash trees. In summer, they were green, humming with insects, but no sooner had November come the skinny forest had transformed into a leafless, slightly hallucinatory labyrinth. The effect being a bit like a hall of mirrors, if only to reflect the inner self. I always felt uneasy when passing by, but as the fall closed in and the temperature fell, I found myself drawn to the place. There was something familiar down among the ashes, something ominous and melancholy and cold. I was so lonely, so heavy-hearted. The reason I'd moved here had fallen apart. I was unwelcome and unwanted, my future in serious doubt. The cold grue beckoned with frigid fingers down this forlorn path. It came over me with such intensity that day that I realized I was in the center of it, as if it had all come down to this singular point in time. I sat down and spoke to it.
"What are you?' I said.
"The process of dying" it replied.
"Why are you here?"
"It's the earth's dying season"
"Why have I felt you in so many circumstances, then?"
"Because all deaths are the same to the dead."
My phone rang. I gathered my things and stood up to walk home, wondering if was still existing in my world at all.
I've moved on since that day, slowly piecing my life back together, trying to find any remnants of my lost inner light. The cold grue remains, in the autumn wind, in the snow, in the garden that has gone to seed. I'm not so troubled by it anymore, even if I am still haunted. I live in a place with all four seasons now, and have a lot still to learn about spring.




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