Presence Out of Context/Underworld

Message, January 21, 2026. 7:21 PM.

Question: If you were dreaming right now, do you think you would sense the presence of the you who was dreaming? The presence of your sleeping self?

If you could, do you think you would recognize yourself as that presence?

I ask because this evening, I was out in town. The sun was below the horizon, but the sky was still a luminous (if ominous) grey. The lights of the town suddenly seemed to become more distinct, more vivid, with a strange depth. Despite the people and the traffic and the shops all around, I could feel the miles of snowy landscape around me, like a sort of echo.

It all felt slightly unreal. Memories flitted through my head not quite at random - us standing outside the art museum in the November wind, you and me on that drive from Texas to the Midwest. Other, things, too. It all felt similar somehow.

It wasn't just cold grue, but layers of it, like layers of time.

The radio played "wrapped around your finger" and it all felt so haunted that I began to question it, the meaning of it. It was as if I were hearing the song in its proper setting for the first time, the proper context, which allowed me to detect an essence I'd never noticed before. Something liminal. What was it I sensed?

My stream of consciousness was like so:

Underworld landscape. What would it feel like if you were dead and didn't know it? Would it feel like this? No, not quite. We are not entirely ghosts. We are something else. Has the rest the world disappeared, has the real world been obliterated and left this shadowy world behind? No, not quite that, either.

And what was the eerie, nameless presence in the atmosphere?

When running through all the iterations of what this was like, I realized that it was most like a dream, but as seen from the other side.

As if I were in the dream without knowing that I was being dreamed.

Except for the nameless, eerie presence of something unknown. 

***

It's been a few days since this happened, and I'm still thinking about it. Would you recognize your own presence out of context? The remnants of your own energy in a place where you used to live? 

Or (as my husband pointed out) the presence of your higher self, the eternal self that already knows all? 

I told him, if that were the case, I could think of two times such an awareness could become evident: if your higher self intervened to nudge you in a necessary direction, or that you, in your physical existence, had become so nebulous that you began to blend into that other world. 

I still wonder which one I experienced. 

But I suspect I know. 

The Cold Grue

I'd first read the term cold grue in the story Thrawn Janet by Robert Louis Stevenson. It was an arcane term to me, but I knew what it meant the moment I read it. I'd known that feeling since I was a child. It usually arrived in November, when it arrived at all, and lay mostly under the surface of winter, waiting to loom up at certain vulnerable moments - something that seemed almost sentient, a grey existential chill that was not merely cold, but deathly.

The appearance of the cold grue was something I'd come to dread. A rising uneasiness, the sense of something minatory, searching along the ground with the wind. I'd felt it a few notable times in my childhood - the visit to Liberty Hill, a playful seance gone awry that my cousins and I held on Thanksgiving, 1980, and the time surrounding the violent death of my aunt not too long afterward. Every holiday season since has been an exercise in keeping it at bay. 

Having spent my much of my life in Texas, it was something I'd associated with my home state, something that lived in the winter landscape there, so I did not expect to find it the first time I visited northwest Ohio in 2022. But on the second-to-last day of my trip, there it was, drifting toward me in waves as I stood on the steps at the art museum, as ominous and melancholy and as pure in form as I'd ever felt it. 

 

I'd never expected my path in life to lead me to the Midwest, and certainly not to such an unadulterated version of the feeling I'd been hiding from. Perhaps it was just my mood that day, I'd thought. Maybe it was just that I was standing in a sculpture garden. As I'd written in one of those links above, the surreal nature of modern art always did leave me a bit uneasy. Or perhaps it was just a temporary, momentary effect of the weather. 

When I did move here in 2023, it was summer, and there were only the aquarium blue sky and cornfields and the sound of daylight crickets in evidence. The cold grue was far from my mind. I would walk through the swamp preserve in the afternoon, or the marshy edgelands next to the mall, studying wildflowers and cottonwood trees. We visited Lake Erie. Then autumn arrived. 

The grue did not come right away. Gradually, though quicker than I would have imagined, the landscape changed its character. There is no real autumn where I'm from, so to watch it take on color and atmosphere was fascinating. Did you know that leaves will simply fall off of trees, without being blown down by wind after drying up from drought? I didn't, so just to watch them was like standing in fairyland. I was very lonely at the time, but it was beautiful even so. I spent so many evenings out there, learning about my newly adopted home, trying to take my mind off the rest of my life, which had quickly commenced unravelling. I learned about being cold, putting on more and more sweaters every time I went out. The skies became greyer and heavier, the chill wind fluttering the remaining cottonwood leaves. 

Near the center of the swamp preserve is a forest of skinny black ash trees. In summer, they were green, humming with insects, but no sooner had November come the skinny forest had transformed into a leafless, slightly hallucinatory labyrinth. The effect being a bit like a hall of mirrors, if only to reflect the inner self. I always felt uneasy when passing by, but as the fall closed in and the temperature fell, I found myself drawn to the place. There was something familiar down among the ashes, something ominous and melancholy and cold. I was so lonely, so heavy-hearted. The reason I'd moved here had fallen apart. I was unwelcome and unwanted, my future in serious doubt. The cold grue beckoned with frigid fingers down this forlorn path. It came over me with such intensity that day that I realized I was in the center of it, as if it had all come down to this singular point in time. I sat down and spoke to it. 

"What are you?' I said.

"The process of dying" it replied.

"Why are you here?"

"It's the earth's dying season"

"Why have I felt you in so many circumstances, then?"

"Because all deaths are the same to the dead." 

My phone rang. I gathered my things and stood up to walk home, wondering if was still existing in my world at all. 

I've moved on since that day, slowly piecing my life back together, trying to find any remnants of my lost inner light. The cold grue remains, in the autumn wind, in the snow, in the garden that has gone to seed. I'm not so troubled by it anymore, even if I am still haunted. I live in a place with all four seasons now, and have a lot still to learn about spring. 

The Wind Carries the Witches

Blowing the last few leaves from the skeletal trees. 

[Title courtesy of Christian Bauman]